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Tollywood Actors
Tollywood Actresses
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Drona Telugu Movie Review
Plot
Drona (Nitin) is kidnapped in his childhood and is taken to an island by a mafia group led by Sarkar (Kelly Dorji). Sarkar trains him to become a super thief. Drona’s father is a sincere super cop and Drona’s mother is very sentimental about her missing son. The rest of the story is all about how Drona meets his parents and comes out clean.
Artists Performance
Nitin: Nitin is good as Drona. His dances are fabulous and his energy levels in dances are increasing from film to film. But sadly, his judgment and decision making skills are becoming poorer. He should start taking his career seriously instead of acting in each and every project that comes in his way. It’s been years since he gave a hit. And the main reasons for all his recent failures are bad scripts and inept directors.
Others: Priyamani is hot in this film. She wore skimpiest bikini in the first song and drenched in rain for the last song. Sunil is entertaining in a brief role done in this film. Mukesh Rushi and Seeta are adequate. The characterizations of villain gang are so bad that they end up looking like jokers. Kelly Dorji did not have much to do on the screen except for looking amused. Dr. Siva Prasad does a Sakuni kind of role with old-fashioned dialogue delivery. Rakhi Sawant did an item song which was badly picturized.
Technical departments
Story - Screenplay - Direction
The story line has a similarity to that of Rakshasudu film. The heist techniques in the opening scene remind us of Dhoom II. Walking through laser rays is taken from ‘Entrapment’ (Catherine Zeta Jones). The script of this film has potential. But the director handled the subject amateurishly. Screenplay of the film is not up to the mark. Director did not put any lead scenes that built tempo for mass scenes in this film.
Other Departments
Music by Anoop Rubens is adequate. A couple of songs are good. But the background music and rerecording leaves a lot to be desired. Cinematography of the film is inconsistent. Light is so bad that in some of the scenes that you can notice make-up on the faces of all actors. However, the color grading makes it up for the island episodes in the second half. Dialogues are mediocre except for Sunil’s one-liners.
Last Word
Drona is about a son (criminal) meeting his father (cop) and mother after a separation for 14 years. The main drawbacks of the film are incompetent direction and bad villain characterization. When the villain’s character is not etched properly, the heroism does not get elevated. It may find some favor in B and C centers. On a whole, Drona is a badly shot film.
Shashirekha Parinayam Movie Review
Shashirekha Parinayam is a Telugu film, starring Tarun, Genelia and others, directed by Krishna Vamsi. Produced by Sunkara Madhumurali, and music composed by Mani Sharma. This film Released on January 1, 2009.
Sasirekha (Genelia) is summoned by her strict father (Ahuti Prasad) to return home. After coming home she realizes that her marriage is fixed with an NRI and her wedding is due that night. She also learns that the groom’s father is money-minded. She has no choice left but to run away. She meets Anand (Tarun) on her journey. He protects her and helps her. The rest of the story is all about the background of Anand and what happens between the couple.
Artists Performance
Genelia: You would see an entirely different Genelia in this film. She did not wear any make-up. She is completely child-like and playfully innocent. It appears like she dubbed her own voice in certain scenes of the film. Her hysterical performance when she is slapped shows another shade of her. And her performance in the scene in which she banters after getting drunk is very good. She gave wide variety of expressions in this film.
Others: Tarun plays the second fiddle. But his performance in the hospital scene in the climax is ultimate. Ahuti Prasad scores again in this film. But his usage of expletives at end his dialogue is little discomforting to ears. Subbaraju dons a refreshing (away from his usual roles) role in this film. He is excellent. Paruchuri Gopala Krishna is extremely good as the villainous elder. Abhi did a significant role. Monali Chowdary is good in a cameo. MS Narayana is excellent in the tax-payers episode. Vamsi (Paiditalli from Happy Days) has a small, but interesting role.
Story - Screenplay - Direction
Story of the film has nothing to do with Jab We Met film but for a couple of slight references (heroine mouthing abuses on phone and the beginning notes of Edo song). The story of the film is simple. Hence it is very difficult to write screenplay. There is only one screenplay knot that is opened in the interval. The entire second half is about how heroine falls in love with the hero. Hence there is no conflict point in the second half as audiences are well aware by then that heroine’s parents are not going to catch her. Though the initial half an hour after the interval bores you, the director turns it around with well conceived scenes towards the end of the film. The most hilarious scene in the film belongs to MS Narayana where he explains how drunkards are helping the Government. There are two defining moments in the second half –
1. Genelia’s banter after getting drunk: The way heroine questions the man’s attitude and explains the depth of women’s heart showcases the director’s deep understanding of women. The movie turns around from this moment. 2. Lead pair getting caught in an imbroglio: An unexpected scene from an unknown angle changes the complexion of the film and provides a lead to the climax.
The following episodes in the film are unappealing
1. The lorry driver rape attempt followed by hero saving heroine. 2. The court and jail episode.
Other departments
Music of the film is alright. The best song on the screen is ‘Edo’ that comes before the climax. Nice rendition by Saindhavi helps the mood of the situation. Dialogues are nice. Krishna Vamsi seems to be allocating a few minutes of his film’s runtime to eulogize certain things in his recent films. If he had lengthy dialogues about railways and Indian traditions in Rakhi and Chandamama respectively, he tells some good things about Vijayawada (only after belittling it). Cinematography is adequate. The producer should have taken more care in the postproduction (especially DI) which would have enhanced the visual appeal of the film.
Last Word
The title cards sequence (involving visuals of Maya Bazaar song Aha Na Pellanta’) is very good. The first half of the film is adequate. The initial half of the second half is boring (a common problem with journey flicks if they do not have conflict point). The director makes it up in the last half an hour. The positive points are Genelia and last half an hour. On the flipside, there is no conflict point (that creates dramatic impact) in the second half. This film has elements that can go well with class audiences and women. We have to wait and see how it fares at box office.
Arundhathi Movie Review
Story
Arundhati (Anushka) belongs to Gadwal samsthanam in 1920’s. She is known for her bravery in saving the Samstanam by killing Pasupathi (Sonu Sood) an evildoer who creates ruckus in that place. She is praised as Jejemma (named after the famous Goddess in that area). But the spirit of Pasupathi haunts that place. Another girl is born in the same lineage after 3 generations and she is named as Arundhati. The spirit of Pasupati is after Arundhati to take the revenge. The rest of the story is all about how Arundhati puts an end to the evil spirit of Pasupathi.
Artists Performance
Anushka: This is Anushka’s first performance oriented film and she is simply amazing in two roles. There are many shots in the film where the scenes from the present time will dissolve into to flashback and vice versa. These scenes are done on Anushka are crucial in the film. She has to show the variations between the old Arundhati and new Arundhati. She did exceptionally well with subtle yet impact creating performance. Shilpa and Sowmya dubbed the voices of old and new characters respectively.
Others: Sonu Sood looks deadly in the role of Aghora. His performance is excellent. A special mention should be given to P Ravi Shankar who dubbed the voice of Sonu Sood. It is a great opportunity for any dubbing artists to get a role like this. The way he pronounces ‘ninnu vadalaa … vasta .. vasta’ is extremely good. Sayaji Shinde got a beautiful role ‘Talla Sayibu’ in this film. He is completely believable in that role. Manorama is very good. Deepak is nice. Satyanarayana and others are good. All other artists are appropriately cast in their roles.
Technical Departments
Story - Screenplay - Direction: Story of the film is good. Screenplay is very good. The beauty of this screenplay is about revealing the story and information in parts. There is always something to look forward to with anticipation in the film. It possesses one of the best screenplays in the recent times. Direction by Kodi Rama Krishna is very good. However, there are a couple of violent scenes that are disturbing to the family crowds. You can see a few Hollywood inspirations like Lord of the Rings, House of Flying Daggers (dum dance), Final Destination 1 (car - train episode). A couple of episodes (the thread of drum dance by the guru & establishing Arundhati as the warrior) should have been more effectively established.
Other Departments: Visual effects and graphics done by Rahul Nambiar are extraordinary. Cinematography by Senthil Kumar is excellent. Background music and rerecording by Koti is brilliant. The songs in the film go with the flow of narration. Art direction by Anand Sai is first-rate. Make-up work is good. Editing is smooth. Digital Ingredient (color grading) is very good. Production values of this film are extravagant.
Analysis: First half of the film is excellent and the second half is good. The plus points of the film are performances, screenplay, technical values and grandeur. The only negative point I see in this film is violence (got an A certificate from censors), which is very much required for the film to be effective. After a long time, I watched a Telugu film that has both content and technology rightly mixed to give a vibrant output. Arundhati is a film which you can proudly show it as a Telugu film to all your non-Telugu friends. And it will live up to the adjective of ‘Magnum Opus’. Two thumbs up to Shyam Prasad Reddy for making a brilliant film. Don’t watch it on internet or pirated DVDs. Arundhati is a film that must be watched in a good theater with nice sound/projection system.
Indumathi Telugu Movie Review
Indumathi is a Telugu film, starring Sivaji, Shweta Bharadwaj and others, directed by Harsha Reddy. Produced by Harsha Reddy, and music composed by Anand. This film Released on January 1, 2009.
A girl (Shweta Bharadwaj) steals a couple of crores from her boss in Vizag and runs away with her boyfriend to Hyderabad. There she rents Ananda Nilayam in Gachibowli. She goes missing and her boyfriend is killed. A group of friends (Vennela Kishore, Vijay Sai and Satyam Rajesh) rent out the same place the next day. And they are visited by a psychopath (Sivaji) the next day. The rest of the story is all about who the psychopath is and what happens to the girl and the friends’ gang.
Artists Performance
Sivaji did the role of psychopath and he excels with good antics. His dialogues told in Telangana slang are entertaining. Vennela Kishore (Khadir from Vennela) impresses again in this film. His own dubbing (dubbing for Vennela was done by Uttej) in this film is good. He has got good comedy timing. He has the ability to do serious roles as well. Vijay Sai is another guy who seems to have become a definite actor in thriller films. His comedy is pretty good. Shweta Bharadwaj fits the bill and she did a hot scene in this film. But the real hero of the film is Harsha Vardhan (Amrutam fame). His body language in this film is pretty close to that of Vince Vaughn who played Norman Bates character in Psycho (1998). Harsha (TV9 crime watch guy) did the role of private detective. Srinivasa Reddy did a small role and he provides comedy.
Technical departments
Story: Story of the film is inspired by Alfred Hitchcock’s classic thriller Psycho (1960). The character of Sivaji is added to mislead the audiences and at the same time to provide the entertainment. At the same time, heroine character is not killed to show her as one of the suspects. The investigator character in Psycho is split into two characters in the film. Since it is taboo to show mother in a bad way in Telugu films, the director added a brother character to create a new premise for the death of psycho’s family members.
Screenplay – direction
Screenplay of the film is little confusing. The original film Psycho is told in a linear format with the vital twist in the climax. For Indumathi, the director narrated it with a flashback format with time stamp. For a first timer, Harsha P Reddy does a decent job. He succeeded in creating humor and suspense element. But he did not narrate the story in a clear way. Though completely irrelevant to the story, he managed to hold most of the second half with the single episode of Sivaji portraying as a psychopath. But, he should have avoided a couple of bad scenes like gay comedy at the beginning and prostitute episode.
Other departments
The only song in the film is good. The background score by Anand (Mantra fame) is worth commending. Cinematography of the film is neat. Some of the dialogues are nice (especially Telangana Vastunda – Vizag sim ki roaming padutunda dialogue). The producer has taken lot of care in the postproduction and it shows up on the screen.
Last Word
Indumathi is a kind of film that is made with the purpose of entertainment by leaving the basic plot aside. Hence if you look for entertainment, Indumathi might satisfy you. If you look from a critic’s point of view, you will get disturbed because the plot is diluted to create entertainment. You will get slightly disappointed with ‘Indumathi’ if you had already seen ‘psycho’ (1960). There could be some entertainment value for the others.
Maska Telugu Movie Review
Story
Krish Jagarlamudi (not the Gamyam director, but hero Ram) is a spoilt brat who looks for shortcuts to earn fame and money. Unable to clear his graduation and get a job, Krish plans to love and marry a rich girl Manju (Sheela) who is going to USA. In the process he meets another girl Meenu (Hansika Motwani) and really falls in love with her. The rest of the story is all about when both these girls come to know about the cheating nature of Krish. There is also a political twist to the story.
Artists Performance
After Devdas, this film gives an oppurtunity to Ram to portray the entire gamut of emotions. His dances are amazing in Hare Hare Rama (1st song) and Bagdad Gajadonga (last song). He moves his body like a spring in those songs. He handles comedy department exceptionally well with the right dialogue delivery and diction. However, we do notice an uncanny resemblance to the body language of Pawan Kalyan in Ram’s performance.
Heroines: Hansika Motwani did a traditional character in this film. She is pretty good. The fans of Hansika will have a whale of time in ‘Kalloki Dilloki’ song where she wore a micro mini skirt (with a low angle camera). Sheela who looks pretty traditional did the role of temptress in this film. And she is extremely glamorous with liberal exposure of her dusky skin.
Other actors: Sunil did a full-length role in this film after a long gap. He is extremely good and provides lot of entertainment. After doing Kokapeta Aunty in Tulasi, Jhansi has done another entertaining role that speaks in Nellore slang. Brahmanandam did the role of a kidnapped doc and he is just average. Introduction scene of Paruchuri Venkateswara Rao is good. One does not understand what Krishna Bhagawan is doing in this film. He has one insignificant scene with a single dialogue. Ali is also wasted. Mukesh Rushi, Pradeep Rawat, Naresh, Dharmavarapu and Telangana Sakuntala are adequate.
Technical departments
Story - screenplay - direction: Story of the film is provided by Surya. He judiciously mixed a triangular love story with an action backdrop. Screenplay of the film is considerably good. MS Raju borrowed the Vaali screenplay where hero shows a photo of a girl to tell the story to heroine and the girl in photo meet hero in real. The thread of conversing in numbers has got good commercial payoff in the second half. The direction by B Gopal is decent in the first half. There is a bit of lag in pre-climax scenes. The hero shifting his love from Sheela and Hansika should have been shot more efficiently. The villains are projected as the most dreaded till climax and they are shown in the positive light at end. Hence there is no commercial payoff for the action/mass part of the film.
Other departments: Music by Chakri is good. The picturization of the songs is excellent. But the director could not place these songs effectively into the film. The choreography for 1st song (Hare Hare) and last song (Bagdad Gajadonga) by Prem Rakshit is pretty cool. Cinematography is nice. The locations in 'Kalaganna' song are good. Dialogues by Paruchuri brothers are good. They wrote nice comedy one-liners as well as good mass dialogues. Production values by MS Raju are grand.
Analysis: First half of the film is handled well and provides entertainment. You can see B Gopal kind of mass elements in the second half. The movie goes slow towards the climax of the film. The plus points of the film are Ram and first half. On the flip side, there is a bit of lag in the last half an hour of the film and more clarity is needed in love triangle. On a whole, Maska has got entertainment elements that might work at box office.
Sshh Telugu Movie Review
Shh is a Telugu film, starring Shafi, Midhuna and Baby Likhitakshari in the lead, directed by Haricharan Prasad. Produced by Haricharan Prasad, and music composed by Sri Vasanth. This Film Released on January 23, 2009.
Plot
A doctor (Shafi) comes to a village along with his family to serve the villagers as a part of his social service activity. When he visits a temple, the priest over there makes him to see things that are not visible for a naked eye. He also gets premonitions that enable him to see the glimpses of future. A ghost contacts him. The rest of the story is all about how the doctor unearths a murder mystery.
Artists Performance
Shafi is good as the doctor who goes through psychological transformation. Though his Telugu is good, he need to get his pronunciation right with perfect diction. He has a strange style of delivering dialogues. Mithuna is adequate as an understanding wife of Shafi. Madhavi Latha doesn’t have much role to play in the film though her character is pivotal for the film. Rupa Devi who did the role of an occult practicing woman is highly convincing. Siva Krishna and Rallapalli are adequate.
Technical departments
Story: Story of the film is good. The story is based on an English novel called ‘Stir of Echoes’ (1958) written by Richard Matheson. This novel was made as Hollywood film with the same title in 1999. Richard Matheson is a celebrated writer who wrote novels which were later adapted into popular films like I am legend, The legend of a hell house etc.
Screenplay – Direction
Direction is adequate in parts. Narration of the film is slow. Screenplay of the film should have been written in an interesting way. The flashback episode which shows the murder of the girl is not effectively shot. If we carefully look at the threads in the film, all of them possess ingredients of an interesting thriller. But the director could not use all these threads to give a proper ending in the climax. These interesting threads are –
- Baby girl speaking with the spirit.
- Hero communicating with spirit.
- Premonitions and the ability of the hero to foresee the future events.
- Occult practicing woman following the hero and inviting him to come to her at the time of difficulty.
Our horror/thriller film directors use dimly lit place and darkness to create chilling effects. But the director Hari Charan stayed away from using such tricks and he stuck with the content. Another interesting thing I observed in this film is overt affection between the couple in the film. Husband and wife hold their hands and affectionately touching when they go out. We don’t see such practice in our Telugu commercial films.
Other departments
Songs scored by Sri Vasanth are good. But songs are not required in this film, especially the hero’s love and wedding song (no relevance to the story). Rerecording and sound mixing is very good. But at times, sound was used excessively. Cinematography is adequate. Editing should have been better. Dialogues are ok.
Last Word
The story idea is good. But the director didn’t adapt it onto the screen properly. A better screenplay and an interesting narration would have helped the movie to reach the crowds effectively. This kind of story has commercial appeal to it, but the director treated it more like an art film.
Sindhu Tolani Profile and Filmography
Sindhu Tolani was born in Bangalore, India on July 19, 1983. She has been a Fair & Lovely cream model girl in the North as well as a successful actress.
Film career
Sindhu Tolani shot to "fame" at the age of 20, at her debut in the Tamil movie Sullan with Dhanush directed by Ramana, the film went on to be a major blockbuster at B and C centres and started her career, it was released in 2004. Another hit followed in Manmadhan with Silambarasan. Since then she has appeared in many Telugu and Kannada films and recently in Majaa with Vikram.
Filmography
Tamil
* 2004 - Sullan
* 2004 - Manmadhan
* 2004 - Alaiadikudhey
* 2005 - Majaa
* 2006 - Pasupathy
Telugu
* 2004 - Aithe
* 2005 - Gowtam SSC
* 2005 - Athanokkade
* 2006 - Pournami
Kannada
* 2005 - Rishi
Aarthi Agarwal Profile and Filmography
Arthi Agarwal (born on March 5 in New Jersey, USA) is an American -Indian actress in Tollywood. She was brought up in New Jersey until the age of 14. Sunil Shetty invited her to dance on stage in Philadelphia, Pennsylvania, USA when she was barely 14. Big B who was there too encouraged her father to take her to Bollywood.[citation needed] As a result, she did her first film Paagalpan in Hindi in 2001 but it was not a hit. She then went to Tollywood. She did her first Tollywood movie Nuvvu Naaku Nachav with Telugu actor Venkatesh in 2001, which was more successful.
Filmography
* 2008 Gorintaku
* 2007 London Dreams
* 2006 Andala Ramudu
* 2005 Chatrapati
* 2005 Soggadu
* 2005 Sankranti
* 2004 Adavi Ramudu
* 2004 Nenunnanu
* 2003 Veede
* 2003 Vasantam
* 2003 Palnati Brahmanaidu
* 2002 Bobby
* 2002 Nee Sneham
* 2002 Indra
* 2002 Allari Ramudu
* 2001 Nuvvu Leka Nenu Lenu
* 2001 Nuvvu Naaku Nachav
* 2001 Paagalpan
Balakrishna Profile and Filmography
Actual Name: Nandamuri Balakrishna
Nick Name: Yuvaratna, NBK, Balayya
Date of birth: June 10, 1960
Place of birth: Nimmakuru, Krishna district
Debut Film: Tatamma Kala
Education: B.A.
Awards: Nandi Award for best actor for the film Narasimhanaidu
Son: Mokshagna
Biography
Nandamuri Balakrishna was born on June 10, 1960 to Nandamuri Taraka Ramarao and Basava Tarakam. Balakrishna has seven brothers Swargiya Rama Krishna, Jaya Krishna, Hari Krishna, Mohana Krishna, Sai Krishna, Rama Krishna, Jaya Shankar Krishna, and four sisters Uma Maheswari, Bhuvaneswari, Lokeswari, Purandheswari. He is married to Vasundhara Devi and has one son Tarakarama Mokshagna Teja and two daughters Brahmini and Tejaswini.
His first film was Tatammakala in which N.T.R. played the lead role. He acted along with his father in most of the films such as Anndammula Anubandham, Dana Veera Soora Karna, Srimadvirat Pothuluri Veerabrahmamgari Charithra etc.
His debut film as a solo hero was Mangammagari Manavadu which was a huge hit. He also acted in folkloric and mythological flicks like Bhairava Dweepam and Sri Krishnarjuna Yuddham. Samarasimhareddy and Narasimhanaidu are the biggest hits in his career. Other hits include Anasuyammagari Alludu, Muddula Kistaiah, Muddula Mavaiah, Muvva Gopaludu, Rowdy Inspector, Lorry Driver, Bangaru Bullodu, Naari Naari Naduma Murari etc.
Filmography
9-8-74 - Tathamma kala - Debut as child artist
30-12-74 - Ram rahim
14-7-75 - Annadammula anubhandam
08-01-75 - Vemulavada bheema kavi
14-1-77 - Dana veera soora karna
19-5-79 - Akbhar saleem anarkali
28-5-79 - Sri madvhirat parvamu
28-9-79 -Sri tirupathi Venkateswara
15-8-80 - Rowdi ramudu konte krishnudu
7-1-82 - Anuraga devatha
7-3-83 - Simham navvindi
1-6-84 - Sahasame oopiri
7-6-84 - Disco king
27-7-84 - Janani janma bhoomi
7-9-84 - Mangamma gari manavadu
4-11-84 - Palanati puli
29-11-84 - Sri madhvirat veera bhramedra swami
14-12-84 - Katha nayakudu
23-1-85 - Athma balam
8-2-85 - Babai abbai
28-3-85 - Barya bhartala anubhandham
27-4-85 - Bhale tammudu
11-10-85 - Kattula kondayya
21-12-85 - Pattabhishekam
21-12-85 - Nippulanti manishi
28-2-86 - Muddula krishnayya
18-4-86 - Seetharama kalyanam
2-7-86 - Anasuyamma gari alludu
7-8-86 - Deshodharakudu
19-9-86 - Kaliyuga krishnundu
9-10-86 - Apoorva sahodarulu
14-1-87 - Bhargava ramudu
26-2-87 - Allari krishnayya
16-4-87 - Sahasa samrat
14-5-87 - President gari abbai
19-5-87 - Muvva gopaludu
31-7-87 - Ramu
19-11-87 - Bhanumati gari mogudu
15-1-88 - Inspector prathap
18-2-88 - Donga ramudu
11-5-88 - Tiragabadda telugu bidda
24-10-88 - Bharatam lo balachandrudu
20-10-88 - Ramudu bheemudu
9-12-88 - Rakthabishekam
7-5-89 - Bhale donga
10-2-89 - Muddula mavayya
29-6-89 - Ashoka chakravarthi
13-10-89 - Bala gopaludu
12-1-90 - Prananiki pranam
27-4-90 - Nari Nari Naduma Murari
7-7-90 - Muddula menalludu
21-12-90 - Lorry Driver
9-4-91 - Talli tandrulu
19-4-91 - Brahma sri viswamitra
18-7-91 - Aditya 369
14-2-92 - Dharma kshetram
7-5-92 - Rowdy Inspector
25-12-92 - Aswametham
3-9-93 - Nippu ravva
3-9-93 - Bangaru Bullodu
14-4-94 - Bhirava dveepam
18-8-94 - Gandeevam
23-9-94 - Bobbili Simham
9-12-94 - Top hero
28-7-95 - Matho pettukokdu
5-1-96 - Vamsanikokkadu
15-5-96 - Sri krishnarjuna vijayam
10-1-97 - Peddannayya
25-4-97 - Muddula Mogudu
23-10-97 - Devudu
17-4-98 - Yuvaratna rana
4-6-98 - Pavitra Prema
13-1-99 - Samara Simha Reddy
27-5-99 - Sultan
16-9-99 - Krishna Babu
13-1-00 - Vamsodharakudu
21-7-00 - Goppinti alludu
11-1-01 - Narasimha Naidu
15-06-01 - Bhalevadivi Basu
11-1-02 - Seema simham
25-9-02 - Chenna Kesava Reddy
5-6-03 - Palanati Brahma Naidu
14-01-04 - Lakshmi Narasimha
15-12-04 - Vijayendra Varma
05-10-05 - Allari Pidugu
29-04-06 - Veerabhadra
01-02-07 - Maharadhi
Okkamagadu
Pandurangadu
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